Famous Sculptures
Callipygian Venus statue
Callipygian Venus statue
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This is a fine reduction of the antique Callipygian Venus (literally 'Venus of the beautiful buttocks'), believed to be a restored copy of a Hellenistic original, possibly associated with the shrine of Aphrodite Kallipygos at Syracuse (Robertson, vol. I, 1975, p. 553). The surviving antique sculpture was first recorded as in the Farnese collection in 1594, first in the Camerino Secreto (1568) and later in the Sala dei Filosofi (1697) and the Farnesina (1767). During the late 18th century it was taken first to Rome for restoration by Carlo Albacini, and then to Naples by 1792. By May 1802 it was in its present location in the Museo degli Studi (later Museo Borbonico, now Museo Nazionale) in Naples. Throughout the 17th and 18th centuries, the statue was often referred to as Venus leaving the bath, or Venus drying herself. The more common titles for it was 'la Bergere Grecque' or 'La Belle Victorieuse', which refer to an episode related by Athenaeus in the late 2nd/early 3rd century. In the story, two daughters of a peasant settle an argument over who has the most attractive buttocks by calling upon a stranger to judge. He was rewarded with the girl he chose, while his brother chose the other girl and thus won her, leading to a double marriage. The girls, thus rescued from a life of poverty, later dedicated a temple to Venus Callipygos at Syracuse. The statue was much admired from the 16th to the 18th century. The earliest known copy is a bronze statuette in the Ashmolean Museum, Oxford, attributed to the Flemish sculptor, Hans Mont, who left Rome in 1571. In the 17th century Clerion and Barois made marble copies for Louis XIV. In the 18th century, it was widely copied. In the 1780s, Gustavus III of Sweden commissioned Sergel to copy to statue for the Hall of Mirrors in the Royal Palace, Stockholm. Sergel's Venus was modelled with the features of the royal mistress, Countess Ulla van Hopken
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Sculpture reproductions are a popular way of making art more accessible. We use several methods to create reproduction sculptures, each with its unique process.
- Creation of plastic sculptures:
To create a plastic sculpture reproduction, we use 3D printing technology. The first step is to print a plastic version of the original sculpture using a 3D printer. After 3D printing, we process the plastic sculpture by hand, which includes sanding, smoothing, filling any gaps or imperfections, and covering the sculptures with a special material to ensure durability for outdoor use. Our goal is to create a high-quality replica that faithfully reproduces the original sculpture. Once the plastic sculpture has been sanded and smoothed, we paint it by hand using high-quality paint in plaster, marble, bronze, and other colors to achieve a durable finish.
- Creating impressions:
Many reproductions are created using environmentally friendly materials such as marble, plaster, and bronze. These materials are used to create high-quality replicas that look and feel like the original sculpture. The process of creating a casting involves making a mold of the original sculpture and then pouring the chosen material into the mold. This process requires a lot of manual work to keep the shape accurate and without air bubbles.
After the material has hardened, we remove the mold and clean and finish the reproduction by hand. This process ensures that each sculpture is a high-quality copy of the original sculpture.
Creating reproductions of sculptures requires great skill and attention to detail. Regardless of whether we use 3D printing technology or traditional casting methods, our goal is always the same: to create a high-quality replica of the original sculpture that accurately reflects the artist's vision. With the use of environmentally friendly materials and an emphasis on manual work, we ensure that our reproductions are of the highest quality.
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- Production and delivery time
Sculptures up to 18 inches in size take 2 to 3 weeks to produce. We do not have mass production, as each sculpture is handmade by our craftsmen, making each sculpture unique. Sculptures larger than 18 inches require different lead times, depending on the size and complexity of the sculpture and its coating. Our managers will let you know the lead time for custom orders.
Delivery takes on average 2 weeks from the time of shipment. Since we are located in Ukraine, delivery time depends on the recipient country. But usually it is not more than 3 weeks anywhere in the world.
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